Joe Nanashe : Freelance Video WorkResume
| Resume |
Joe Nanashe joe@joenanashe.com
| Education | 2005 |
M.F.A. Visual Arts; MGSA, Rutgers University, New Brunswick, NJ |
| 2003 |
B.F.A. Studio Art, minor Art History; Myers School of Art, University of Akron, Akron, OH | |
| 2002 | the Kitchen Summer Institute, Sarah Lawrence College, New York, NY | |
| Work Experience | ||
| 2002 - present | Freelance Videographer / Editor | |
| • Juicy Couture (Behind-the-scenes documentary video June 2010, Feb 2009) | ||
| • A.I.R. Gallery, Brooklyn Museum (Panel Discussions, March 2010) | ||
| • 92nd Street Y (David Wain Interview, May 2009) | ||
| • Institute for Women and Art (Etched in Memory Symposium) | ||
| • Kehinde Wiley (The World Stage documentary video, Studio Museum, Harlem) | ||
| • The Print Club of New York (2006-2008 videotaped and edited lectures) | ||
| • Women's Art Caucus (2007 Annual Awards Video Presentation) | ||
| • Albert Ellis Insitute (2007 videotaped symposium) | ||
| 2006 - 2009 | Videographer / Digital Media Specialist, Brodsky Center for Innovative Editions | |
| • Recorded and edited documentation of the Brodsky Center print shop | ||
| • Scheduled, conducted and recorded interviews with artists | ||
| • Developed video and web archive | ||
| • Developd Brodsky Center Website | ||
| 2005 - 2006 | Assistant to Judith Brodsky, Founding Director RCIPP, Princeton, NJ | |
| • Office work | ||
• Designed announcements, invitations and mailings |
||
| • Digital image correction | ||
| 2003 - 2005 | Media Assistant, Mason Gross School of the Arts, New Brunswick, NJ | |
| • Tutorials on equipment and software | ||
• Maintained equipment database |
||
| • Minor repairs and troubleshooting on equipment | ||
| Software Experience | ||
| • Final Cut Pro (9+ years) | ||
| • DVD Studio Pro (9+ years) | ||
| • After Effects (5 years) | ||
| • Adobe Premiere (5 years) | ||
| • Adobe Creative Suite: Photoshop, Dreamweaver, etc (5 years) | ||
| • Microsoft Office, Power Point (10 years) | ||
| Freelance and Personal Equipment | ||
| • Sony HVR-Z1U 3CCD, 1080i HDV Camera | ||
| • FS-5 Portabel DTE Recorder | ||
| • Canon GL-1 3CCD Mini-DV SD Camera | ||
| • Final Cut Studio (FCP, DVD Studio Pro, Live Type, Motion) | ||
• Sennheiser ME66 Shotgun microphone and g2 100 series Wireless Mic System |
||
| • Electro Voice Omnidirectional hand held microphone | ||
| • Bogen tripod | ||
| • Mac editing system | ||
| • Final Cut Editing Suite | ||
| Select Screenings / Exhibitions | ||
| 2009 | Low Lives, Five Myles, Brooklyn, NY | |
| Video Forum, Palmetto AIR, Brooklyn, NY | ||
| Boston Underground Film Festival, Brattle Theater, Cambridge, MA | ||
| 2008 | Joe (A Self-Portrait), Monkey Town, Brooklyn, NY *(solo) | |
| All I Wanted Was a Pepsi, West Germany Gallery, Berlin, Germany | ||
| Fantasia Film Festival, Montreal, Quebec, Canada | ||
| Come Out & Play, Apexart, New York, NY | ||
| New York Underground Film Festival, Anthology Film Archives, New York, NY | ||
| Boston Underground Film Festival, Brattle Theatre, Cambridge, MA | ||
| 2007 | Fear Revere, Two Boots Pioneer Theater, New York, NY | |
| Lausanne Underground Film and Music Festival, Casino Montbenon, Lausanne, Switzerland | ||
| Chicago Underground Film Festival, Elegant Mr. Gallery, Chicago, IL | ||
| Summer Shorts Online 2007, Independent Film Channel, www.ifc.com | ||
| Rooftop TV, Manhattan Neighborhood Network, New York, NY | ||
| CinemaScope, Scope Art Fair, Lincoln Center, New York, NY | ||
| 2006 | Lausanne Underground Film and Music Festival, Casino Montbenon, Lausanne, Switzerland | |
| Antimatter Underground Film Festival, Open Space Arts Centre, Victoria, BC, Canada | ||
| Chicago Underground Film Festival, Music Box Theater, Chicago, IL | ||
| Rooftop Films, Brooklyn, NY | ||
| New York Underground Film Festival, Anthology Film Archives, New York, NY | ||
| 2005 | Videologia, Volgograd International Festival of Video Art, Volgograd, Russia | |
| Lausanne Underground Film and Music Festival, Casino Montbenon, Lausanne, Switzerland | ||
| Chicago Underground Film Festival, Music Box Theater, Chicago, IL | ||
| G-Niale 7, Garage 2005, Stralsund, Germany | ||
| 2004 | Suitcase Exhibition, Kunsthochschule fur Medien Koln, Cologne, Germany | |
| Tempo, Museum of Contemporary Art, Cleveland, OH | ||
| 2003 | Cleveland Biennial, Cleveland State University, Cleveland, OH | |
| 2002 | Summer Institute Works in Progress, The Kitchen, New York, NY | |
| Grants and Awards | ||
| 2008 | Audience Choice Award Honorable Mention, BUFF, Cambridge, MA | |
| 2005 | Paul Robeson Emerging Artist Award, Mason Gross School of the Arts, New Brunswick, NJ | |
| 2004 | TA/GA Competitive Pool Funds, Mason Gross School of the Arts, New Brunswick, NJ | |
| 2003 | Outstanding Senior Grant, Myers School of Art, Akron, OH | |
| 2002 | Summer Institute Scholarship, Sarah Lawrence College, New York, NY | |
| Louis and Mary Myers Award, Myers School of Art, Akron, OH | ||
| Bibliography | ||
| 2010 | More Bang for Your Buck at BOS 2010, Criic's Pick, BushwickBK, June 3, 2010 | |
| "The Real Thing," Stephan Truax, BushwickBK, March 15, 2010 | ||
| 2009 | "From BETA Spaces '09, Unique Ways of Seeing," Audrey Tran, the Heliotrope, November 29, 2009 | |
| Interview, Rachel Branwen, Slush Pile Magazine, Boston, MA | ||
| Low LIves (Catalogue), Jorge Rojas, Fall 2009 | ||
| 2008 | “Dewars Award at BUFF 2008,” Boston.TV, April 25, 2008 htttp://www.boston.tv/btv.html?id=718896112 | |
| “The Last Hurrah!” Lauren
Cornell and Ceci Moss, Rhizome News, March 31, 2008 http://rhizome.org/editorial/news/?timestamp=20080331 |
||
| “Swiss Account,” Aviv Rubenstien, the Comment, April, 2008 | ||
| “Trough Love,” Mara Zepeda, Philadelphia Weekly January 16-22, 2008 | ||
| 2007 | “Summer Shorts: Beat the Heat with Two Online Short Film Festivals,” Kim Adelman, Indie Wire August 15, 2007 http://www.indiewire.com/movies/2007/08/shorts_column_s.html | |
| 2006 | “Myers Alumni Return for Grand Exhibit,“ Akron Beacon Journal, Dorothy Shinn, August 13, 2006 | |
| 2001 | "Explorations of the Mundane,” Andy Downing, the Buchtelite, Sept. 25, 2001 | |